Tuesday, May 12, 2009

Addams Family Musical Comes to Broadway


Next spring, Broadway will see a very interesting musical: The Addams Family. Written by Marshall Brickman and Rick Elice (Jersey Boys) and Andrew Lippa (The Wild Party at MTC), the musical will bow at a Nederlander theater to be announced on April 8, 2010.


Given that it is premiering almost a year from now, you might ask why I am talking about this now. Musicals have always got their subject matter from various sources. One source that is rarely tapped is television shows. This seems like a no brainer, being that most television shows are episodic and have too large a through line for musical adaptation. It takes an especially popular and marketable property to make a successful television to musical adaptation.


The most recent example of this was Happy Days the Musical. Based off the popular television show, Fonzie and the gang were elevated to the musical stage by series creator Garry Marshall and composer Paul Williams. Despite a lack of rave reviews, the show played two engagements at the Goodspeed Opera House and launched a national tour after a production at Paper Mill Playhouse.


The Addams Family is intriguing in that although it is best remembered as a television show, the characters are based off the sketches and drawings that Charles Addams submitted to The New Yorker. According to Playbill.com, the musical “is not based on past Addams Family properties, but uses characters created by legendary cartoonist Charles Addams. The Addams illustrations inspired a TV sitcom, a TV cartoon series and two live-action feature film comedies.”


So there are some big questions this musical is going to run into is: what characters are the audience going to expect? Do the authors feel a responsibility to treat the characters as television audiences experienced them? Even more interesting, will they attempt to redefine the perception of these characters by writing them in an original manner.


I’m sure hoping that they address the musical characters in the way my third question implies. Since they are not trying to adapt a specific episode or a specific Addams family tale, I hope that they will use the wonderful skeleton of these characters and give them new life in the musical form. They certainly seem to be on the right track, especially with casting talent like Nathan Lane, Terrance Mann, Carolee Carmello and Jackie Hoffman. Who knows? The success of this musical could lead to more television show characters being examined on the musical stage.

Sunday, May 10, 2009

First Impressions of the 2009 Tony Nominations

So now that we’ve had some time to think about these Tony nominations, I’ll be taking a look at the nominations and see what they are telling us. Today, let’s look at Best Musical.

The biggest shock had to be Rock of Ages being nominated over 9 to 5 in the Best Musical Category. This has significance on many levels. 9 to 5 opened right before the Tony Award cut off for nomination, leaving voters little time to forget the lackluster reviews the show received. Rock of Ages had the advantage of a successful (and recent) Off-Broadway run that showed that audiences and critics alike supported the show. The production also received rave reviews for the Broadway incarnation.

Another issue that can’t be avoided is the fact that Rock of Ages has introduced a new type of musical: a musical that features an original story with a “pasticho” of popular music. In this case, the content of the book dictates that the musical language be songs from the 1980s. Is this a new trend in the musical theatre? Will writers be looking towards songs by various authors to tell their musical stories? Who knows? We’ll see what the Tony Committee says in June.

Many were shocked when they first saw the list and saw that Billy Elliot had 15 nominations. This tied the record (with The Producers) for most nominations for a single production. Billy Elliot, despite sold out audiences and great reviews, has stayed pretty much under the radar since it started performances in October. The musical itself is a standard film to stage adaptation with a book by a newcomer and a score by Elton John. What are these nominations telling us? Is Billy Elliot really Producers good or is the show gaining from the fact that this is a weaker year for the musical? Have we elevated this piece to be the savior for this year? I don’t think so.

This is because there’s another musical that, in my opinion, will come away with the top prize this year: Next to Normal. After engagements at Second Stage and Arena Stage, Next to Normal seems to have hit Broadway at the right time. The Best Musical category contains two film to stage adaptations and one hybrid of a jukebox musical with a familiar story. Next to Normal gives voters the only option if they wanted to vote on the fact that this is the only original book musical. Given the category’s recent history, this seems to be where the trend is leading. Over the past five years, there has been one film to stage adaptation that won Best Musical, Spamalot. Even with that win, Spamalot only won two other awards (director and featured actress) with The Light in the Piazza winning six that year. Other than that, we’ve had two original musicals (Avenue Q and In the Heights), one jukebox musical (Jersey Boys) and one play adaptation (Spring Awakening). Each of these musicals has made signature contributions to the musical theatre form. Next to Normal would fit this pattern fittingly.

Over the next few weeks I’ll discuss the other musical categories so make sure to check back for more! Thanks for reading!

Tuesday, May 5, 2009

2009 Tony Award Nominations

So let's all take a day to digest the Tony nominations and I'll make some initial comments tomorrow!

Best Musical

Billy Elliot, The Musical
Next to Normal
Rock of Ages
Shrek The Musical

Best Book of a Musical

Billy Elliot, The Musical
Lee Hall

Next to Normal
Brian Yorkey

Shrek The Musical
David Lindsay-Abaire

[Title of Show]
Hunter Bell

Best Original Score (Music and/or Lyrics) Written for the Theatre

Billy Elliot, The Musical
Music: Elton John
Lyrics: Lee Hall

Next to Normal
Music: Tom Kitt
Lyrics: Brian Yorkey

9 to 5: The Musical
Music & Lyrics: Dolly Parton

Shrek The Musical
Music: Jeanine Tesori
Lyrics: David Lindsay-Abaire

Best Revival of a Musical

Guys and Dolls
Hair
Pal Joey
West Side Story

Best Performance by a Leading Actor in a Musical

David Alvarez, Trent Kowalik, and Kiril Kulish ‚ Billy Elliot, The Musical
Gavin Creel, Hair
Brian d'Arcy James, Shrek The Musical
Constantine Maroulis, Rock of Ages
J. Robert Spencer, Next to Normal

Best Performance by a Leading Actress in a Musical

Stockard Channing, Pal Joey
Sutton Foster, Shrek The Musical
Allison Janney, 9 to 5: The Musical
Alice Ripley, Next to Normal
Josefina Scaglione, West Side Story

Best Performance by a Featured Actor in a Musical

David Bologna, Billy Elliot, The Musical
Gregory Jbara, Billy Elliot, The Musical
Marc Kudisch, 9 to 5: The Musical
Christopher Sieber, Shrek The Musical
Will Swenson, Hair

Best Performance by a Featured Actress in a Musical

Jennifer Damiano, Next to Normal
Haydn Gwynne, Billy Elliot, The Musical
Karen Olivo, West Side Story
Martha Plimpton, Pal Joey
Carole Shelley, Billy Elliot, The Musical

Best Scenic Design of a Musical

Robert Brill, Guys and Dolls
Ian MacNeil, Billy Elliot, The Musical
Scott Pask, Pal Joey
Mark Wendland, Next to Normal

Best Costume Design of a Musical

Gregory Gale, Rock of Ages
Nicky Gillibrand, Billy Elliot, The Musical
Tim Hatley, Shrek The Musical
Michael McDonald, Hair

Best Lighting Design of a Musical

Kevin Adams, Hair
Kevin Adams, Next to Normal
Howell Binkley, West Side Story
Rick Fisher, Billy Elliot, The Musical

Best Sound Design of a Musical

Acme Sound Partners, Hair
Paul Arditti, Billy Elliot, The Musical
Peter Hylenski, Rock of Ages
Brian Ronan, Next to Normal

Best Direction of a Musical

Stephen Daldry, Billy Elliot, The Musical
Michael Greif, Next to Normal
Kristin Hanggi, Rock of Ages
Diane Paulus, Hair

Best Choreography

Karole Armitage, Hair
Andy Blankenbuehler, 9 to 5: The Musical
Peter Darling, Billy Elliot, The Musical
Randy Skinner, Irving Berlin's White Christmas

Best Orchestrations

Larry Blank, Irving Berlin's White Christmas
Martin Koch, Billy Elliot, The Musical
Michael Starobin and Tom Kitt, Next to Normal
Danny Troob and John Clancy, Shrek The Musical


Information taken from Playbill.com: http://www.playbill.com/news/article/128922.html

Whats Next Musical Theatre

Welcome to What's Next Musical Theatre! This will be a place for me to write about what is going on in the musical theatre world. I hope to provide various types of commentary and information. Here are some examples of what future posts might contain:

A running “blog” type news feed as the home page.

Features on shows going into workshops

Spotlights on new composers

Spotlight world premiere productions

Commentary on the musical theatre as a whole

New Cast Recording/Book reviews

Recommendations for revivals

Production histories of upcoming revivals

Award Season coverage (Outer Critics, Drama Desk, Tony’s)

Features on instrumental figures in the musical theatre


This blog will also be a place for quizzes, Top #10 lists, and a forum for the pressing musical theatre issues that need to be discussed.


I hope you will continually join me as the musical theatre continues to give the world much to discuss!